


Often I find someone else's blog photos inspire me to stop focusing (so to speak) on the technique of photography and just take the damned picture. The photos on Magpie's blog are one example of "Just do it."
You ask: What is it? I reply: What do you want it to be? You ask: What does it mean? I reply: What do you want it to mean?






Last month we saw a special exhibit called "Elegant Enigmas: The Art of Edward Gorey." Going to the exhibit was Susan's idea, not mine, of course. Once I got in there and started looking at his stuff I was very pleased -- a man with a sense of humor even darker than mine! When we left I had to buy the book from the show and then make a tough decision as to which of his books to buy. I settled on Amphigorey Too and Susan has promised to put another one on my Christmas list for me. It's not hard to like someone who starts out a story like this:
An osbick bird flew down and sat
On Emblus Fingby's bowler hat.
It had not done so for a whim,
but meant to come and live with him.
Edward Gorey will be providing me with names for a lot of my clay pieces in the future. Speaking of the future, in November a 1965 Gorey book, The Recently Deflowered Girl: The Right Thing to Say on Every Dubious Occasion will be re-published. How can you resist a book with an opening description like this, "For more than half a century Miss Hyacinthe Phypps has been offering guidance on proper behavior..."?







It's the Walking Wounded at our house. I'm still on pain pills for the root canal work I had done (2 sessions with a crown going on in 2 weeks). Susan is suffering from a nasty cold that has slammed her in the nose (dripping), throat (sore) and chest (coughing a lot). She'd like to claim it as the flu but because she doesn't have a fever or aches she has to deal with the indignity of just having something ordinary. We know that if you do nothing to treat the common cold it will take 7 days to go away. If you go to the doctor and ask for something to treat it you will recover in a week. 





Update #1: The first and third pictures (front and back) of the Renner Books post are of Don's book (darker spine).
Update #2: Thanks for all the camera tips, both in Comments and in email. Unfortunately, most advice applied to SLR cameras and this is just a basic point-and-shoot camera, with a number of options just not possible -- for example, there are only two f-stops, both pre-set and unchangeable. The sensor is relatively small.
The distortion is called "barrel" effect or "pincushion" and it is fixable in Photoshop Elements 2.0 by using the Spherize and/or Pinch filter, which is how I tweaked the Renner book photos. Distort/Skew/Perspective actually can distort too much if you aren't careful. But none of the options do a perfect job and I hate to have to tweak every picture. The advice that seems to be working is this: Stand way back, as far as possible, from the object and zoom in to take the picture. A tripod is recommended. So instead of putting objects on a table and standing over them to take pictures, I'll be putting them on the floor. We'll see.
I have to keep reminding myself we bought the little point-and-shoot because I wanted just that: a little camera to snap quick pictures, no need to worry about a lens or any settings (although it does have a number of Scene options and ISO settings). And it was the best fit in my clumsy hands.
Here's the latest squadron. Some of them have gone to the gallery and some didn't get invited. Some had disaster hit them in the kiln so they had to spend some time at the Ear Hospital before they got to go to the gallery.

Susan and I took Lisa Renner's A Waxed and Painterly Book class at Art Unraveled. Any class Lisa teaches is a sure thing - she provides everything you need, runs the class at a fast pace and troubleshoots continually. We've both taken her classes before and we've yet to see her flummoxed by anything. It doesn't make any difference to me that I don't care about making a book, it's the creative environment Lisa sets up that makes the difference.

This ceramic sculpture is by Sergie Isupov and we were fortunate enough to find time while we were in Phoenix to see an exhibit of his work. When I think of my work and of his work I am fully aware we are in different stratospheres in terms of technical ability. I can only dream.