

Susan and I took
Lisa Renner's A Waxed and Painterly B
ook class at Art Unraveled. Any class Lisa teaches is a sure thing - she provides
everything you need, runs the class at a fast pace and troubleshoots continually. We've both taken her classes before and we've yet to see her flummoxed by anything. It doesn't make any difference to me that I don't care about making a book, it's the creative environment Lisa sets up that makes the difference.
Susan and I sat next to each other in this class, not because we were insecure and are joined at the hip, but because we were sharing our wax block and had an extra heat gun at our table, just in case. We work well together by staying focused on our own work and then asking each other's advice. Susan's advice is always something concrete, as in "Trying using this piece of red", while my advice usually is "Hmmm. Needs.... something."
Our books look similar because we didn't bother to switch away from Lisa's offered face print and we both used the same stamps, which we didn't realize until we were almost finished. After all, it's the process, not the final product, that's important. Which book is Susan's and which book is mine? What do you think?


Susan speaks: I'm starting to hate my new camera. Yes, the resolution is better due to lots more mega-whatevers, but the camera gives excessive "barrel" distortion to any shots closer than 6', regardless of the setting (see photos above). Even Photoshop tweaking doesn't get rid of it all. Aaarrrgh!